عنوان المقالة:التحف الفنية النوري بوزيد بين ظهور مقنّن ووئد بالرقابة قبل ولادة الفيلم Masterpieces of Nouri Bouzid between conditionned advent and censorship extinction
د. فاتن محمد ريدان | Dr Faten Mohamed RIDENE | 16010
- نوع النشر
- مجلة علمية
- المؤلفون بالعربي
- فاتن ريدان رايسي
- المؤلفون بالإنجليزي
- Faten Ridene Raissi
- الملخص العربي
- Reflecting the Arabic social reality in the film industry has been the main focus of some Arabic cineastes, namely the Tunisian ones. Whether short or long, professional or hobbyist, Tunisian movies endeavoured to cope with the forbidden trinity, composed of political, sexual and religious axes of criticism which have been mostly rejected due to the political authorities’ domination. This study sets out to probe the partial and total rejections of scripts by focusing on Nouri Bouzid’s case. This choice is stimulated by the magnitude of Nouri Bouzid‘s interviews, in which he has mentioned many of his movies and script examples that were navigating between conditioned advents and censorship’s extinction.
- تاريخ النشر
- 25/09/2015
- الناشر
- International Journal of Humanities and Cultural Studies
- رقم المجلد
- 2
- رقم العدد
- 2
- ISSN/ISBN
- 2356-5926
- رابط DOI
- 10.13140/RG.2.2.26400.40965
- الصفحات
- 393-409
- رابط الملف
- تحميل (370 مرات التحميل)
- رابط خارجي
- https://www.ijhcs.com/index.php/ijhcs/article/view/495
- الكلمات المفتاحية
- Tunisian cinema, Nouri Bouzid, Censorship, Script Control, religious scrutiny, political oversight, forbidden trinity