عنوان المقالة:الاشياء التحولية والتجارب الموهومة في الدراما الحديثة في الولايات المتحدة: دراسىة مسرحية تينسي وليامز (معرض الحوش الزجاجية) "Transitional Objects and Illusory Experiences in U.S. Modern Drama: A Study of Tennessee Williams’ "The Glass Menagerie
ABSTRACT: Lainer Tennessee Williams (1911-1983), one of the most celebrated dramatists and playwrights in the world of American dramaturgy, and D.W. Winnicott (1896-1971), one of the famous British moralists and psychoalalysts, delinate in urgent voice the existence of the intermediate, in-between area. They have utilized certain transitional objects either to emblematize definite points or to portray some perspectives on illusory experience and objective reality. This paper brings into focus the “glass menagerie,”the descriptive title of Williams’ play The Glass Menagerie (1944), as a transitional object that has certain dramatic aspects of significant importance. By zeroing in on this specific object, the paper attempts to bring about a conclusion that the psycho-moralist Donald Woods Winnicott’s theory of “Transitional Objects and Transitional Phenomena” in his Playing and Reality (1952-1971) and Tennessee Williams’s practical theory of transitional (inanimate) characters in The Glass Menagerie are structurally and thematically complementary and affinitive. My
.contention is determined on the basis of some valuable passages from both works
تاريخ النشر
01/06/2021
الناشر
American Journal of Humanities and Social Sciences Research (AJHSSR)
عبدالله قاسم صافي ال هادي | Abdullah Qasim Safi Al Hadi | 2254