عنوان المقالة:التحف الفنية النوري بوزيد بين ظهور مقنّن ووئد بالرقابة قبل ولادة الفيلم Masterpieces of Nouri Bouzid between conditionned advent and censorship extinction
د. فاتن محمد ريدان | Dr Faten Mohamed RIDENE | 13655
نوع النشر
مجلة علمية
المؤلفون بالعربي
فاتن ريدان رايسي
المؤلفون بالإنجليزي
Faten Ridene Raissi
الملخص العربي
Reflecting the Arabic social reality in the film industry has been the main focus of some Arabic cineastes, namely the Tunisian ones. Whether short or long, professional or hobbyist, Tunisian movies endeavoured to cope with the forbidden trinity, composed of political, sexual and religious axes of criticism which have been mostly rejected due to the political authorities’ domination. This study sets out to probe the partial and total rejections of scripts by focusing on Nouri Bouzid’s case. This choice is stimulated by the magnitude of Nouri Bouzid‘s interviews, in which he has mentioned many of his movies and script examples that were navigating between conditioned advents and censorship’s extinction.
تاريخ النشر
25/09/2015
الناشر
International Journal of Humanities and Cultural Studies
رقم المجلد
2
رقم العدد
2
ISSN/ISBN
2356-5926
رابط DOI
10.13140/RG.2.2.26400.40965
الصفحات
393-409
رابط الملف
تحميل (370 مرات التحميل)
رابط خارجي
https://www.ijhcs.com/index.php/ijhcs/article/view/495
الكلمات المفتاحية
Tunisian cinema, Nouri Bouzid, Censorship, Script Control, religious scrutiny, political oversight, forbidden trinity
رجوع